Virginia Museum of Fine Arts by Paolo de' Matteis

“The Annunciation" by Paolo de' Matteis (Italian, 1662-1728). (Photo: St. Louis Art Museum).

RICHMOND, VA.- This loan by the Italian late-Baroque painter Paolo de' Matteis in the St. Louis Art Museum’s “Annunciation.” Originally commissioned as a pair by the Duchess of Laurenzano, a celebrated Neapolitan patroness of the arts, these glorious examples of religious painting . The loan presents a rare opportunity to explore the works’ creation, display and visual relationship and to encourage ongoing scholarship on de Matteis and late-Baroque painting.

Paolo de Matteis (also known as Paolo de' Matteis) (9 February 1662 - 26 January 1728) was an Italian painter.

He was born in Cilento near Salerno, and died in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He came to the employ of the Spanish Viceroy of Naples. From 1702-1705, de' Matteis worked in Paris, Calabria, and Genoa. In Genoa, he painted an Immaculate conception with St. Jerome appearing to St. Sevrio. Returning to Naples, he painted decorative schemes for Neapolitan churches, including the vault of the chapel of San Ignatius in the church of Gesu Nuovo in Naples. He also painted an Assumption of the Virgin for the Abbey at Monte Cassino. Between 1723-1725, de' Matteis lived in Rome, where he received a commission from Pope Innocent XIII.

He had as pupils Inacio de Oliveira, Bernardes Peresi, and members of the Sarnelli family including Francesco, Gennaro, Giovanni, and Antonio Sarnelli. Others who were his pupils were Giuseppe Mastroleo and Nicolas de Filippis.